L’Après-Midi d’un Faune
The first choreographic effort by Nijinsky, L’Après-Midi d’un Faune signaled a change in choreographic aesthetic of both the Ballets Russes and the dance world as a whole and heralded the waning of Fokine’s influence within the company. With movements based on classical bas-reliefs and ancient Greek vase paintings, Nijinsky challenged the imitative realism of Fokine to present a ballet that was more modern, immediate, and wholly realized as a complete art form than anyone had ever seen.
|