2. Drawings (1902-1906)In this and the next drawing, Proust casts himself as the suffering Christ; here he removes Christ’s beard but preserves his own signature mustache. He provides captions peppered with his private “lansguage” for Hahn:
"Symbolizes life blindly turning all its hopes away from Marcel, and Reynaldo full of pity collecting blood from his wound and Konsoling him" |
Marcel Proust. “L’Église et la Synagogue (aux yeux bandés),” [n.d.]. b 94M-48 (91), Houghton Library, Harvard University. Gift, Mrs. Bradley Martin, 1994.
Adapted from Émile Mâle, L’art religieux du XIIIe siècle en France. Paris: Armand Colin, 1902. 203 M24ba, Fine Arts Library, Harvard University. |