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Galway Kinnell Recordings

Over 365 recordings collected by the Pulitzer Prize-winning poet Galway Kinnell over the course of his lifetime, featuring recordings of his own work and readings by such poets as Robert Bly, Etheridge Knight, Pablo Neruda, Sharon Olds, and Adrienne Rich.
black and white photograph of a man writing at a desk
Photograph of Galway Kinnell, 1984. Courtesy of the New York Times.

The Galway Kinnell recording collection includes a range of authorial recordings (including live readings, studio recordings, interviews, lectures, and workshops), interpretive readings by Galway Kinnell (of the works of such poets as Walt Whitman and Pablo Neruda), family recordings, memorial tributes, performances of musical settings of Kinnell’s poems by such musicians as Andrew Bird and William Mayer, and association copies of readings by friends and fellow authors—among them:

  • John Ashbery
  • Robert Bly
  • Allen Ginsberg
  • Donald Hall
  • Etheridge Knight
  • Sharon Olds
  • Grace Paley
  • Adrienne Rich


The collection also reflects Kinnell’s early travels in Iran (with recordings by such poets as Forough Farrokhzad and Nader Naderpour), the peripatetic academic positions he held at the outset of his career (with recordings made at Reed College/Oregon and University of Colorado/Fort Collins), his involvement with the nascent Squaw Valley Writers’ Conference, as well as his ongoing relationships with New York University and the Vermont poetry community. 

His committed role as an activist can also be traced throughout the collection: from a recording made during his CORE work in Louisiana to peace marches with his daughter to anti-war readings after 9/11. The recordings he chose to collect provide additional insights into international authors whose works stimulated and engaged him—including recordings that feature Yves Bonnefoy, Federico Garcia Lorca, Pablo Neruda, and W. B. Yeats.

In addition to its intellectual content, the Kinnell recording collection is of interest for how it reflects a mid-20th century poet’s integration of a range of AV technologies---such as Dictaphone recordings, answering machine messages, mixtapes, and Super-8 films---in conjunction with both his domestic and artistic life.

The collection as a whole allows scholars to encounter Kinnell’s physical and literary voice as it evolved over the course of his long career, and to experience the range of voices to which he listened and from which he received sustenance and inspiration throughout his lifetime.

The recordings were generously donated to the Woodberry Poetry Room by Barbara K. Bristol.

Accessing These Materials

The Galway Kinnell recording collection is currently being digitized. Once digitized, the recordings will be accessible via the Finding Aid